• Login
    View Item 
    •   DBS eSource Home
    • Bachelors Final Year Projects
    • Literature, Drama & Film
    • View Item
    •   DBS eSource Home
    • Bachelors Final Year Projects
    • Literature, Drama & Film
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Arab cinema

    View/Open
    ba_alsayegh_e_2015.pdf (356.2Kb)
    Author
    Alsayegh, Eelaf
    Date
    2015
    Degree
    BA (Hons) in Film Studies
    URI
    http://hdl.handle.net/10788/2477
    Publisher
    Dublin Business School
    Rights holder
    http://esource.dbs.ie/copyright
    Rights
    Items in Esource are protected by copyright. Previously published items are made available in accordance with the copyright policy of the publisher/copyright holder.
    Metadata
    Show full item record
    Abstract
    Over the last few years, Arab cinemas have been seen as means of safeguarding Arab culture, religion and public norms. As argued out by Mansour and Anna (2012), films depend on precise cultural, political and social contexts to mirror and reflect contemporary attitudes, norms and moral values, while at the same time dramatizing the present societal issues. In the traditional society of Arab world, the link between culture and film is portrayed rather vividly. Traumatic effects of colonialism have played an integral role in cinematic production in the Arab nations. In particular, colonial intellectuals rejected the Egyptian culture and supported the imitation of their cultures.
    Collections
    • Literature, Drama & Film

    Browse

    All of DBS eSourceCommunities & CollectionsBy Issue DateAuthorsSupervisorTitlesSubjectsThis CollectionBy Issue DateAuthorsSupervisorTitlesSubjects

    My Account

    LoginRegister

    Statistics

    View Usage Statistics

    DSpace software copyright © 2002-2023  DuraSpace
    Contact Us | Send Feedback
    DSpace Express is a service operated by 
    Atmire NV