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dc.contributor.authorWilson, Naomien
dc.date.accessioned2016-12-19T15:53:09Z
dc.date.available2016-12-19T15:53:09Z
dc.date.issued2016
dc.identifier.citationWilson, N. (2016). Ossian & the Hare: An Experiment in Poetry and the Alchemy of Film. Studies in Arts and Humanities, 2 (2).en
dc.identifier.issn2009-8278
dc.identifier.urihttp://hdl.handle.net/10788/3067
dc.description.abstractOssian & the Hare is an experimental film-essay combination intended to work like two sides of the one coin. The 20-minute long film is designed to be more experiential than narrative driven, moving us through various spaces and atmospheres as if in a kind of dreamscape. In pointing up some of the thinking and ideas that are embedded in the film, the text provides a framework situating the film within a film-as-artwork context. It outlines many of the influences that contribute both to visual style and content, offering more depth to the overall experience of viewing the film. Author keywords: Experimental films; Mythology; Liminality in motion pictures; Poetry in motion pictures, Celtic artsen
dc.language.isoenen
dc.publisherSAHKartellen
dc.rightsItems in Esource are protected by copyright. Previously published items are made available in accordance with the copyright policy of the publisher/copyright holder.en
dc.rights.urihttp://esource.dbs.ie/copyright
dc.source.urihttp://dx.doi.org/10.18193/sah.v2i2.72
dc.subjectMotion picturesen
dc.titleOssian & the Hare: An Experiment in Poetry and the Alchemy of Filmen
dc.typeArticleen
dc.rights.holderCopyright: The authoren


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