Critical topography of female vampiric cinematic narratives

dc.contributor.advisorNolan, Matthewen
dc.contributor.authorDominguez, Celineen
dc.date.accessioned2013-09-27T10:19:50Z
dc.date.available2013-09-27T10:19:50Z
dc.date.issued2013
dc.description.abstractThe objective of this examination stems from a curiosity as to where the vampiric blood cult originated from and how it morphed into an iconic genre that is still prevalent in modern day cinematic narrative. It is an assessment of what type of ideology governs the vampiric discourse and whether those principles reinforce cultural belief systems. The inquiry will consider the vampire as a paradoxical metaphor for a variety of dominating principles as well as taboos within society. Furthermore, it is a specific analysis of how female characters are represented throughout the vampire cinematic genre. An exploration to determine whether there is a correlation between the varied portrayals of female representation within vampiric film narratives and any linear developments within cultural attitudes and perceptions. By tracing various personas attributed and imposed on the female gender from the advent of the vampire cinematic genre, it is anticipated that a pattern will emerge, initially of depictions that constrain and subjugate women, according to dominating patriarchal governing authority. However, what should also materialise, during evolutionary periods within cinema and culture, is a reconstruction of identities and representation regarding the female and male gender. The necessary application of theories developed within disciplines such as feminism, psychoanalysis and gender studies, will aid in interpreting these new symbolic cinematic representations. What should emerge is, like the vampire, a pattern of constant shift from disintegration and renewal amongst feminine representation within contemporary cinema narratives aligned with cultural alterations.en
dc.identifier.citationDominguez, C. (2013). Critical topography of female vampiric cinematic narratives. Bachelors Final Year Project, Dublin Business School.en
dc.identifier.urihttp://hdl.handle.net/10788/1227
dc.language.isoenen
dc.publisherDublin Business Schoolen
dc.rightsItems in Esource are protected by copyright. Previously published items are made available in accordance with the copyright policy of the publisher/copyright holder.en
dc.rights.holderCopyright: The authoren
dc.rights.urihttp://esource.dbs.ie/copyright
dc.subjectMotion picturesen
dc.titleCritical topography of female vampiric cinematic narrativesen
dc.typeFinal Year Projecten
dc.type.degreelevelBA (Hons)en
dc.type.degreenameBA (Hons) in Film, Literature and Dramaen
Files
Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
ba_dominguez_c_2013.pdf
Size:
445.04 KB
Format:
Adobe Portable Document Format
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
4.19 KB
Format:
Item-specific license agreed upon to submission
Description: